Songs For A New World
"The incredibly versatile Emily Goldberg bursts in to show off her blend of comedic gusto (Just One Step and Surabaya Santa) and emotional depth (The Flagmaker, 1776). In the hands of a lesser actor, both One Step and Santa might feel a little out of place in the musical revue–because, well, they are–but Goldberg is captivating and hilarious, and her writhing portrayal of an exasperated and indignant Mrs. Claus is a showstopper. "
- Joe De Rosa, Chicago Onstage
"Emily Goldberg is the quintessential performer. All her numbers seep with vibrant characters, helped by her animated performance and commitment to the outlandish accents the text demands."
- Ada Alozie, Rescripted
"All four have powerful voices and terrific range. I must warn you, Ms Goldberg will captivate you. If you look into her eyes, you will be mesmerized. They not only sparkle, they reel you in."
- Alan Bresloff, Around The Town Chicago
"Flashing her stunning blue eyes in anger, actress/singer Emily Goldberg musters her persona of Mrs. Santa Claus with a Slavic vamp demeanor. The audience is prompted to grin under their masks with her every line and clown-siren pout. Her final declaration of finding freedom from those Santa claws brings out the hurrahs. Goldberg is one of four vocal powerhouses that zip to all corners of Theo Ubique’s intimate cabaret space, telling stories in song vignettes or spilling riveting affect as they flex their vocal chords."
- Amy Munice, Picture This Post
"Emily Goldberg makes her Theo Ubique debut, but has distinguished herself in theatres all over Chicago, most notably in her Jeff-nominated role in Porchlight Music Theatre’s “Gentleman’s Guide to Love and Murder.” Here she humorously portrays a wealthy woman on a window ledge in “Just One Step.”... Ms Goldberg gets to wrap her velvety voice around one of the popular pullout songs from this show, the exquisite “Stars and the Moon.” Individually each singer is a powerhouse, yet collectively this cast blends into some of the sweetest sounds ever heard in this theatre."
- Colin Douglas, Chicago Theatre Review
"When Emily Goldberg rips into “The Flagmaker, 1775,” the number becomes a white-hot raging take on just what each star and stripe on the U.S. flag actually cost... As a foursome, their vocals are impeccable. As soloists, each has the presence that promises a bright future."
- Catey Sullivan, The Reader
"The intense, clarion-voiced, physically fleet cast of four (Nora Navarro, Emily Goldberg, Eustice J. Williams and Matthew Hunter), suggest numerous personalities, relationships and life crises..."
- Hedy Weiss, WTTW
- Joe De Rosa, Chicago Onstage
"Emily Goldberg is the quintessential performer. All her numbers seep with vibrant characters, helped by her animated performance and commitment to the outlandish accents the text demands."
- Ada Alozie, Rescripted
"All four have powerful voices and terrific range. I must warn you, Ms Goldberg will captivate you. If you look into her eyes, you will be mesmerized. They not only sparkle, they reel you in."
- Alan Bresloff, Around The Town Chicago
"Flashing her stunning blue eyes in anger, actress/singer Emily Goldberg musters her persona of Mrs. Santa Claus with a Slavic vamp demeanor. The audience is prompted to grin under their masks with her every line and clown-siren pout. Her final declaration of finding freedom from those Santa claws brings out the hurrahs. Goldberg is one of four vocal powerhouses that zip to all corners of Theo Ubique’s intimate cabaret space, telling stories in song vignettes or spilling riveting affect as they flex their vocal chords."
- Amy Munice, Picture This Post
"Emily Goldberg makes her Theo Ubique debut, but has distinguished herself in theatres all over Chicago, most notably in her Jeff-nominated role in Porchlight Music Theatre’s “Gentleman’s Guide to Love and Murder.” Here she humorously portrays a wealthy woman on a window ledge in “Just One Step.”... Ms Goldberg gets to wrap her velvety voice around one of the popular pullout songs from this show, the exquisite “Stars and the Moon.” Individually each singer is a powerhouse, yet collectively this cast blends into some of the sweetest sounds ever heard in this theatre."
- Colin Douglas, Chicago Theatre Review
"When Emily Goldberg rips into “The Flagmaker, 1775,” the number becomes a white-hot raging take on just what each star and stripe on the U.S. flag actually cost... As a foursome, their vocals are impeccable. As soloists, each has the presence that promises a bright future."
- Catey Sullivan, The Reader
"The intense, clarion-voiced, physically fleet cast of four (Nora Navarro, Emily Goldberg, Eustice J. Williams and Matthew Hunter), suggest numerous personalities, relationships and life crises..."
- Hedy Weiss, WTTW
Into The Woods
(Understudy for Little Red)
"Nod out to Understudy Emily Goldberg (Little Red Riding Hood) for her spunky and fierce performance. Goldberg’s comedic timing was solid."
-The Fourth Walsh
-The Fourth Walsh
A Gentleman's Guide To Love & Murder
“Emily Goldberg as Sibella, Monty’s primary love interest, was utterly spellbinding — my theatregoing companion described her singing as “a voice you could swim in,” and I thought that was apt. Importantly, though, she achieves some of the best laughs in the show, through Sibella’s self-absorbed posturing and smile-riddled seduction.”
-Aaron Lockman, Rescripted
“Goldberg gives an astounding vocal performance as Sibella, and her acting choices are punchy and endlessly entertaining.”
-Broadway World
“Goldberg’s portrayal is full of strength, creating a character that knows how to command an audience.”
-Lauren Katz, Picture This Post
“Emily Goldberg (Sibella) handles the operatic necessities with ease while playing the passive-aggressive coquette.”
-Aaron Hunt, New City Stage
“Emily Goldberg, a gifted soprano and always a pleasure to hear, even when she’s playing a ruthlessly calculating social climber in her own right.”
-Patrick O’Brien, Chicagoland Musical Theatre
“Goldberg and Delaney are equally strong as Monty’s love interests. For Goldberg, it would be easy to play Sibella as someone who is herself too snobbish and wealth-oriented to care for, but she finds her character’s softer core and helps us to see how Monty can still love her after she rejects him.”
-Karen Topham, Chicago On Stage
“Cast as Sibella Hallward, is a golden-voiced Emily Goldberg… here she is, a strong contribution to a particularly impressive production.”
-Lisa Trifone, Third Coast Review
“Emily Goldberg (Sibella) is wickedly funny in her unapologetic hedonistic quest. Ann Delaney (Phoebe) plays Betty to Goldberg’s Veronica. Yet when the duo sing That Horrible Woman, they each claim diva status for their powerhouse singing.”
-Katy Walsh, The Fourth Walsh
“…She and the beautiful, sultry Emily Goldberg, as Sibella Hallward, the riches-and-reputation-driven rival for Monty’s heart, share the honor of having two of the most beautiful voices in this production, especially showcased with Mr. Enriquez in “I’ve Decided to Marry You.” Their comic talents are matched by a singular command of style.”
-Colin Douglas, Chicago Theatre Review
“And the Porchlight Music Theatre show also is notable for a pair of especially strong vocal performances from Emily Goldberg and Ann Delaney.”
-Chris Jones, Chicago Tribune
“Emily Goldberg as Sibella and Ann Delaney as Monty’s new potential love interest both threaten to steal the show.”
-Kris Vire, Sun Times
“…includes bell-ringing performances from the poised and perfect duo of Emily Goldberg as Sibella Hallward and Ann Delaney as Phoebe D’Ysquith, Monty’s two competing love interests, whose big, beautiful voices are every bit a match for the challenging demands of Steven Lutvak opera-infused score.”
-Ed Tracy, Pick In Six
"Emily Goldberg (Sibella Hallward) and Ann Delaney (Phoebe D’Ysquith) play the women in his life with exquisite operatic voices that will take your breath away."
-Urban Matter
"... The shrewdly seductive, status seeking Sibella (the ideally fetching and wily Emily Goldberg)...”
-Hedy Weiss, WTTW
Particular mention must be made of energetic nightingales Emily Goldberg (Sibella), Ann Delaney (Phoebe), and Sharriese Hamilton (Countess).
-Regina Belt-Daniels, Northwest Harold
“Emily Goldberg shines as Sibella.”
-Quinn Delaney, Playlist HQ
“A wonderful performance by Emily Goldberg, whose eyes I find hypnotic.”
-Al Bresloff, Around The Town
“…Emily Goldberg, minxing to the max.”
-Lawrence Bommer, Stage & Cinema
“…As his duel love interests, Emily Goldberg and Ann Delaney are charming and lovely.”
-James Currie, Be In The Loop Chicago
-Aaron Lockman, Rescripted
“Goldberg gives an astounding vocal performance as Sibella, and her acting choices are punchy and endlessly entertaining.”
-Broadway World
“Goldberg’s portrayal is full of strength, creating a character that knows how to command an audience.”
-Lauren Katz, Picture This Post
“Emily Goldberg (Sibella) handles the operatic necessities with ease while playing the passive-aggressive coquette.”
-Aaron Hunt, New City Stage
“Emily Goldberg, a gifted soprano and always a pleasure to hear, even when she’s playing a ruthlessly calculating social climber in her own right.”
-Patrick O’Brien, Chicagoland Musical Theatre
“Goldberg and Delaney are equally strong as Monty’s love interests. For Goldberg, it would be easy to play Sibella as someone who is herself too snobbish and wealth-oriented to care for, but she finds her character’s softer core and helps us to see how Monty can still love her after she rejects him.”
-Karen Topham, Chicago On Stage
“Cast as Sibella Hallward, is a golden-voiced Emily Goldberg… here she is, a strong contribution to a particularly impressive production.”
-Lisa Trifone, Third Coast Review
“Emily Goldberg (Sibella) is wickedly funny in her unapologetic hedonistic quest. Ann Delaney (Phoebe) plays Betty to Goldberg’s Veronica. Yet when the duo sing That Horrible Woman, they each claim diva status for their powerhouse singing.”
-Katy Walsh, The Fourth Walsh
“…She and the beautiful, sultry Emily Goldberg, as Sibella Hallward, the riches-and-reputation-driven rival for Monty’s heart, share the honor of having two of the most beautiful voices in this production, especially showcased with Mr. Enriquez in “I’ve Decided to Marry You.” Their comic talents are matched by a singular command of style.”
-Colin Douglas, Chicago Theatre Review
“And the Porchlight Music Theatre show also is notable for a pair of especially strong vocal performances from Emily Goldberg and Ann Delaney.”
-Chris Jones, Chicago Tribune
“Emily Goldberg as Sibella and Ann Delaney as Monty’s new potential love interest both threaten to steal the show.”
-Kris Vire, Sun Times
“…includes bell-ringing performances from the poised and perfect duo of Emily Goldberg as Sibella Hallward and Ann Delaney as Phoebe D’Ysquith, Monty’s two competing love interests, whose big, beautiful voices are every bit a match for the challenging demands of Steven Lutvak opera-infused score.”
-Ed Tracy, Pick In Six
"Emily Goldberg (Sibella Hallward) and Ann Delaney (Phoebe D’Ysquith) play the women in his life with exquisite operatic voices that will take your breath away."
-Urban Matter
"... The shrewdly seductive, status seeking Sibella (the ideally fetching and wily Emily Goldberg)...”
-Hedy Weiss, WTTW
Particular mention must be made of energetic nightingales Emily Goldberg (Sibella), Ann Delaney (Phoebe), and Sharriese Hamilton (Countess).
-Regina Belt-Daniels, Northwest Harold
“Emily Goldberg shines as Sibella.”
-Quinn Delaney, Playlist HQ
“A wonderful performance by Emily Goldberg, whose eyes I find hypnotic.”
-Al Bresloff, Around The Town
“…Emily Goldberg, minxing to the max.”
-Lawrence Bommer, Stage & Cinema
“…As his duel love interests, Emily Goldberg and Ann Delaney are charming and lovely.”
-James Currie, Be In The Loop Chicago
A Little Night Music
"But the feature that stands out the most is the ensemble/chorus that will amaze and astound you with their wonderful voices and range ( it does take range to do Sondheim properly)... and the captivating Emily Goldberg (Do not stare at her eyes or you might fall into a hypnotic spell. They are powerful from the very start)."
-Al Breslof, Around The Town
“The cast, and most of the singing, is truly superb all the way through to five ensemble vocalists, most prominently Emily Goldberg, who factors into the narrative as well.”
-Seth Saith Blogspot- Chicago Theatre Review
“The brilliant actress/singers in this cast outshine their male counterparts, beginning with the talented Greek choral Quintet... especially the bewitching Emily Goldberg...
...the nameless servant is a lovely woman, played by the exquisite Emily Goldberg.”
-Colin Douglas, Chicago Theatre Review
“Goldberg and Besa have some of the most expressive moments in the show.”
-Karen Topham, Chicago Onstage
"What tipped the scales for me was the very effective, inclusive and somewhat sexually fluid chorus featuring Nicole Besa, Rachel Klippel, Emily Goldberg, Lazaro Estrada and Ross Matsuda."
-Sean Margaret Wagner, Windy City Times
"What’s more, the facial and musical subtleties of the Quintet are entirely captivating—each member is an impressive performer in their own right, but together, they become an unstoppable ensemble. The sonorous blend that Nicole Besa, Rachel Klippel, Emily Goldberg, Lazaro Estrada and Ross Matsuda share is very befitting of Sondheim’s musically lavish and lyrically robust score."
-Quinn Rigg, Chicagoland Musical Theatre
-Al Breslof, Around The Town
“The cast, and most of the singing, is truly superb all the way through to five ensemble vocalists, most prominently Emily Goldberg, who factors into the narrative as well.”
-Seth Saith Blogspot- Chicago Theatre Review
“The brilliant actress/singers in this cast outshine their male counterparts, beginning with the talented Greek choral Quintet... especially the bewitching Emily Goldberg...
...the nameless servant is a lovely woman, played by the exquisite Emily Goldberg.”
-Colin Douglas, Chicago Theatre Review
“Goldberg and Besa have some of the most expressive moments in the show.”
-Karen Topham, Chicago Onstage
"What tipped the scales for me was the very effective, inclusive and somewhat sexually fluid chorus featuring Nicole Besa, Rachel Klippel, Emily Goldberg, Lazaro Estrada and Ross Matsuda."
-Sean Margaret Wagner, Windy City Times
"What’s more, the facial and musical subtleties of the Quintet are entirely captivating—each member is an impressive performer in their own right, but together, they become an unstoppable ensemble. The sonorous blend that Nicole Besa, Rachel Klippel, Emily Goldberg, Lazaro Estrada and Ross Matsuda share is very befitting of Sondheim’s musically lavish and lyrically robust score."
-Quinn Rigg, Chicagoland Musical Theatre
The Spitfire Grill
“There’s a voice inside all of us when we’re hurt and broken. A soft, sonorous, golden voice that glimmers in the dark and makes everything better. That voice sounds an awful lot like Emily Goldberg. As Shelby, she nails every nuance of a wife folded in on herself, and it’s a joy to watch her unfurl and rise above her husband’s controlling tendencies by working at a place she loves. There’s quite a lot of heart behind her deceptively simple comic timing.”
-Ian Rigg, Chicagoland Musical Theatre
"The cast is exceptional. Each actor fully inhabits his character. ...lovely Emily Goldberg’s shy, withdrawn and badgered Shelby, is at once heartbreaking and hopeful.
...All three actresses display excellent, trained, subtly expressive voices. Ms. Goldberg’s exquisite “When Hope Goes"..."
-Colin Douglas, Chicago Theatre Review
"The singers fill the cafe with their strong voices. Goldberg’s in particular is lovely."
-Karen Topham, Chicago Onstage
“...the adorable Emily Goldberg, who has the voice of an angel...”
-Al Bresloff, Around The Town
“Emily Goldberg is both strong and sweet as Shelby; a woman dealing with trying to be herself despite her life with a controlling husband.”
-Stephanie Dykes, Picture This Post
“The production is saved by the bond between Percy (Lauren Paris) and Shelby (Emily Goldberg), whose tender friendship gives them the strength to self-actualize. Their emotional highs counteract the shortcomings of the material, filling the cafe with warmth and compassion.”
-Oliver Sava, The Chicago Reader
“Emily Goldberg peels back the fragile layers of Shelby, nurturing her into a more self-confident woman. All three actresses have wonderfully mature singing voices that enhance their portrayals.”
-Elaine Coorens, Our Urban Times
"Spitfire’s three main characters couldn’t be more perfect: Goldberg, always strong yet sweet, has the ideal angelic vocals for Shelby."
-Lauren Whalen, Chicago Theater Beat
“Emily Goldberg, as sweet Spitfire coworker Shelby, sings like a dream.”
-Bob Bullen, Chicago Theatre Addict
“The cast does an excellent job. Everyone has a great voice, especially Emily Goldberg.”
-Quinn Delaney, Playlist HQ
-Ian Rigg, Chicagoland Musical Theatre
"The cast is exceptional. Each actor fully inhabits his character. ...lovely Emily Goldberg’s shy, withdrawn and badgered Shelby, is at once heartbreaking and hopeful.
...All three actresses display excellent, trained, subtly expressive voices. Ms. Goldberg’s exquisite “When Hope Goes"..."
-Colin Douglas, Chicago Theatre Review
"The singers fill the cafe with their strong voices. Goldberg’s in particular is lovely."
-Karen Topham, Chicago Onstage
“...the adorable Emily Goldberg, who has the voice of an angel...”
-Al Bresloff, Around The Town
“Emily Goldberg is both strong and sweet as Shelby; a woman dealing with trying to be herself despite her life with a controlling husband.”
-Stephanie Dykes, Picture This Post
“The production is saved by the bond between Percy (Lauren Paris) and Shelby (Emily Goldberg), whose tender friendship gives them the strength to self-actualize. Their emotional highs counteract the shortcomings of the material, filling the cafe with warmth and compassion.”
-Oliver Sava, The Chicago Reader
“Emily Goldberg peels back the fragile layers of Shelby, nurturing her into a more self-confident woman. All three actresses have wonderfully mature singing voices that enhance their portrayals.”
-Elaine Coorens, Our Urban Times
"Spitfire’s three main characters couldn’t be more perfect: Goldberg, always strong yet sweet, has the ideal angelic vocals for Shelby."
-Lauren Whalen, Chicago Theater Beat
“Emily Goldberg, as sweet Spitfire coworker Shelby, sings like a dream.”
-Bob Bullen, Chicago Theatre Addict
“The cast does an excellent job. Everyone has a great voice, especially Emily Goldberg.”
-Quinn Delaney, Playlist HQ
Amour
"Emily Goldberg is, as always, stunning in the role of Isabelle. Not only flawlessly beautiful, this actress once again proves why she’s one of Chicago’s finest, more talented actor/singers. Jeff nominated for BoHo’s “Dogfight,” Ms. Goldberg creates an Isabelle the audience truly cares about and cheers for in her quest for love. Her lovely rendition of “Somebody,” as well as her duets with Fimoff, namely “Special Time of Day” and the title song, are all gorgeous."
-Colin Douglas, Chicago Theatre Review
"And then there is THE VOICE: in this show, it's Emily Goldberg (playing Isabelle). Goldberg has it all: trained, expressive, and Broadway beautiful. (Goldberg, playing musical theater all around town, is certainly Broadway bound, so catch her locally while you can.)"
-Bill Esler, Buzz News Chicago
"Only Emily Goldberg, playing the object of the hero’s affection, sang with the power and confidence required to make the score soar."
-Jack Helbig, The Chicago Reader
"Goldberg’s voice is simply gorgeous, and she and Fimoff work well together."
-Hilary Holbrook, Performink
"Brian Fimoff and Emily Goldberg are vocal powerhouses as Dusoleil and Isabelle, doing the heavy emotional lifting as their cast mates flit by with quips and costume changes. Goldberg’s rendition of Isabelle’s song “Other People’s Stories” gives the character more substance than the authors do."
-Sean Margaret Wagner, Theatre By Numbers
"Emily Goldberg, as Isabelle, demonstrated her vocal chops in several fine ballads."
-Tom Williams, Chicago Critic
"Goldberg, meanwhile, wraps her throat around some truly beautiful ballads- “Somebody,” in particular."
-Patrick O'Brien, Chicagoland Musical Theatre
-Colin Douglas, Chicago Theatre Review
"And then there is THE VOICE: in this show, it's Emily Goldberg (playing Isabelle). Goldberg has it all: trained, expressive, and Broadway beautiful. (Goldberg, playing musical theater all around town, is certainly Broadway bound, so catch her locally while you can.)"
-Bill Esler, Buzz News Chicago
"Only Emily Goldberg, playing the object of the hero’s affection, sang with the power and confidence required to make the score soar."
-Jack Helbig, The Chicago Reader
"Goldberg’s voice is simply gorgeous, and she and Fimoff work well together."
-Hilary Holbrook, Performink
"Brian Fimoff and Emily Goldberg are vocal powerhouses as Dusoleil and Isabelle, doing the heavy emotional lifting as their cast mates flit by with quips and costume changes. Goldberg’s rendition of Isabelle’s song “Other People’s Stories” gives the character more substance than the authors do."
-Sean Margaret Wagner, Theatre By Numbers
"Emily Goldberg, as Isabelle, demonstrated her vocal chops in several fine ballads."
-Tom Williams, Chicago Critic
"Goldberg, meanwhile, wraps her throat around some truly beautiful ballads- “Somebody,” in particular."
-Patrick O'Brien, Chicagoland Musical Theatre
Dogfight
"...Perhaps even more effective is Goldberg's portrayal of Rose, the naïve woman Eddie brings to the party. Goldberg embodies all of Rose's innocence without sacrificing her character's intellect and convictions, filling her with passionate gusto despite Rose's gentle demeanor. Coupled with her beautiful voice, Goldberg couldn't have been better suited for the role."
-Elee Schrock, Broadway World Chicago
"If you are a fan of Chicago-area theater who doesn't yet know the names of singer/actors Emily Goldberg and Garrett Lutz, you should. And if their candid performances in BoHo Theatre's handsomely sung, well-acted Chicago premiere of "Dogfight" are any indication, it won't be long before you will...
...Enter Rose. Played by Goldberg, a disarmingly genuine actor and a lovely singer with a bell-like voice...
..."Nothing Short of Wonderful," one of several numbers showcasing the guileless Goldberg."
-Barbara Vitello, The Daily Herald
"...a touching, heartfelt, ideally unaffected turn by Emily Goldberg."
-Hedy Weiss, Chicago Sun Times
"Emily Goldberg as Rose is enigmatic, truthful and committed. She wins over the audience with her full-bodied voice and winsome smile. Her voice swathes the audience throughout the entirety of the production with its smooth, warm tone. As a casting choice, Goldberg is far too beautiful to truly be considered a candidate for the ugliest date contest from which the show derives its title. But once audiences accept that Rose really could be any girl wondering if she’ll find love, Goldberg’s portrayal of the character shines. She is able to muster all the strength and honesty for the character to defy Eddie’s expectations of her, and yet she still breaks the audience’s hearts as she sings “Pretty Funny” at the close of Act 1."
-Erika Brown Thomas, Chicagoland Musical Theatre
"The very lovely Emily Goldberg plays against type as the star of this musical. She’s absolutely the heart and soul of this production. With a gorgeous voice projecting so much honesty and warmth, this charming young actress is every bit the talented leading lady this production demands."
-Colin Douglas, Chicago Theatre Review
"Emily Goldberg, brings a lot of nuance to her role as the plain and quiet Rose. Though justifiably upset at her treatment by the men (even though she doesn’t win the dogfight), she gets that Eddie may still be the first man to see what’s inside her. Goldberg has the range to communicate all this plus the vocal chops to deliver the score."
-John Olson, Chicago Theater Beat
"With a love story-centered second act driven by a wonderful performance by Emily Goldberg as Rose Fenny, the show clicks in better than it ever did in act one. Goldberg manages all the turns of her character with incredible skill all while singing the score beautifully."
-Jerald Raymond Pierce, Chicago Stage Standard
-Elee Schrock, Broadway World Chicago
"If you are a fan of Chicago-area theater who doesn't yet know the names of singer/actors Emily Goldberg and Garrett Lutz, you should. And if their candid performances in BoHo Theatre's handsomely sung, well-acted Chicago premiere of "Dogfight" are any indication, it won't be long before you will...
...Enter Rose. Played by Goldberg, a disarmingly genuine actor and a lovely singer with a bell-like voice...
..."Nothing Short of Wonderful," one of several numbers showcasing the guileless Goldberg."
-Barbara Vitello, The Daily Herald
"...a touching, heartfelt, ideally unaffected turn by Emily Goldberg."
-Hedy Weiss, Chicago Sun Times
"Emily Goldberg as Rose is enigmatic, truthful and committed. She wins over the audience with her full-bodied voice and winsome smile. Her voice swathes the audience throughout the entirety of the production with its smooth, warm tone. As a casting choice, Goldberg is far too beautiful to truly be considered a candidate for the ugliest date contest from which the show derives its title. But once audiences accept that Rose really could be any girl wondering if she’ll find love, Goldberg’s portrayal of the character shines. She is able to muster all the strength and honesty for the character to defy Eddie’s expectations of her, and yet she still breaks the audience’s hearts as she sings “Pretty Funny” at the close of Act 1."
-Erika Brown Thomas, Chicagoland Musical Theatre
"The very lovely Emily Goldberg plays against type as the star of this musical. She’s absolutely the heart and soul of this production. With a gorgeous voice projecting so much honesty and warmth, this charming young actress is every bit the talented leading lady this production demands."
-Colin Douglas, Chicago Theatre Review
"Emily Goldberg, brings a lot of nuance to her role as the plain and quiet Rose. Though justifiably upset at her treatment by the men (even though she doesn’t win the dogfight), she gets that Eddie may still be the first man to see what’s inside her. Goldberg has the range to communicate all this plus the vocal chops to deliver the score."
-John Olson, Chicago Theater Beat
"With a love story-centered second act driven by a wonderful performance by Emily Goldberg as Rose Fenny, the show clicks in better than it ever did in act one. Goldberg manages all the turns of her character with incredible skill all while singing the score beautifully."
-Jerald Raymond Pierce, Chicago Stage Standard
Loving Repeating
"As young Alice, Emily Goldberg is a seductive standout, moving effortlessly (or so it seems) between ethereal delicacy and earthy sensuality. She has the voice of an angel combined with a burlesque beltress, and she employs this full range with charismatic impact."
-Catey Sullivan, Theater Mania
"The pivotal moment in Stein’s life comes when she meets Toklas (played with just the right subtle sensuality by the golden-voiced Emily Goldberg)."
-Hedy Weiss, Chicago Sun Times
"As Toklas, Goldberg emanates light from within, graceful and gorgeous from beginning to end."
-Lauren Whalen, Chicago Theater Beat
"Alice is played to perfection by Emily Goldberg, another addition to Kokandy (Where do they find this talent?)."
-Alan Bresloff, Around The Town Chicago
"Emily Goldberg’s standout vocals are a highlight."
-Rebecca Abisdris, Chicago Theater Review
-Catey Sullivan, Theater Mania
"The pivotal moment in Stein’s life comes when she meets Toklas (played with just the right subtle sensuality by the golden-voiced Emily Goldberg)."
-Hedy Weiss, Chicago Sun Times
"As Toklas, Goldberg emanates light from within, graceful and gorgeous from beginning to end."
-Lauren Whalen, Chicago Theater Beat
"Alice is played to perfection by Emily Goldberg, another addition to Kokandy (Where do they find this talent?)."
-Alan Bresloff, Around The Town Chicago
"Emily Goldberg’s standout vocals are a highlight."
-Rebecca Abisdris, Chicago Theater Review
"Giles and Goldberg are an adorable couple, and have voices as lovely as the rest of ensemble. That they’re able to play the same people over a period of decades is a testament to their acting abilities."
-Jacob Davis, Chicago Critic
"...It is sung with such passion by Giles and Goldberg. The ladies smolder in their old-fashioned courtship. The radiant Goldberg has a look on her face of quiet admiration. This is how I imagine Alice to be… a pillar of tender strength. Goldberg resembles a behind-every-great-woman-is-a-great-woman stance. We feel the lust, the affection, the mating-for-life selection."
-Katy Walsh, The Fourth Walsh
-Jacob Davis, Chicago Critic
"...It is sung with such passion by Giles and Goldberg. The ladies smolder in their old-fashioned courtship. The radiant Goldberg has a look on her face of quiet admiration. This is how I imagine Alice to be… a pillar of tender strength. Goldberg resembles a behind-every-great-woman-is-a-great-woman stance. We feel the lust, the affection, the mating-for-life selection."
-Katy Walsh, The Fourth Walsh
Schoolhouse Rock Live
"Emily Goldberg (Shulie) has infectious energy, is expressive and dynamic."
-Amy Crater, The Local Tourist
"As the ditzy Shulie, Goldberg displays excellent comic timing."
-Scotty Zacker, Chicago Theater Beat
"Emily Goldberg as sweet, often confused Shulie endearingly instructs us to “Unpack Your Adjectives” and becomes a lovable superhero as “Interplanet Janet.”"
-Colin Douglas, Chicago Theatre Review
"Goldberg’s skirt fell off at the end of her endearing “Interplanet Janet” and this “galaxy girl” handled it like a pro proclaiming “I’m so excited about this song, my skirt fell off.”"
-Stephen Best, Time Square Chronicles
"Emily Goldberg is adorable..."
-Alan Bresloff, Around The Town
-Amy Crater, The Local Tourist
"As the ditzy Shulie, Goldberg displays excellent comic timing."
-Scotty Zacker, Chicago Theater Beat
"Emily Goldberg as sweet, often confused Shulie endearingly instructs us to “Unpack Your Adjectives” and becomes a lovable superhero as “Interplanet Janet.”"
-Colin Douglas, Chicago Theatre Review
"Goldberg’s skirt fell off at the end of her endearing “Interplanet Janet” and this “galaxy girl” handled it like a pro proclaiming “I’m so excited about this song, my skirt fell off.”"
-Stephen Best, Time Square Chronicles
"Emily Goldberg is adorable..."
-Alan Bresloff, Around The Town